Category Archives: Event
FredEversley Work Over School

Work Over School: Developing Craft Outside the Establishment

To curator jill moniz, there is a tendency in the art world to overhype formal education. “In the art world now, there’s so much emphasis on school. But I had been working for a long time with artists who didn’t go to school and yet somehow managed to be true to their own narrative, and […]

Michele Felice Corne, Death of William, ca. 1807, Securing the Shadow

Securing the Shadow: The Folk Art Museum Chronicles Death in Early America

The Shadow of Death in America: Securing the Shadow Over the past several years, a surprising niche interest in the arts has turned mainstream in America: death and the end of life. A topic once shielded by the taboo of privacy, this most intimate of experiences has become the subject of thriving discussion. The New […]


Person and Place: Forging Connections with the Alabama Contemporaries of Ronald Lockett

Throughout the year, the work of Bessemer, Alabama born artist Ronald Lockett has been touring the country. The exhibition, Fever Within, is the first major retrospective of Lockett’s work. Lockett used the discarded tin scraps and steel that littered his post-industrial environment and transformed them into monumental works of beauty. His works express both his […]

13084_Lot_5 cover Outsider Art 2016

Brut Force’s 6 for 16: Top Stories of Self-Taught and Outsider Art 2016

For many people, 2016 was a year of tumultuous and often disappointing surprises. Self-taught and outsider art often found itself as a contrarian to this trend. 2016 brought some major spotlights, notable developments, and significant losses. Below are our picks for top 6 self-taught and outsider art stories of 2016. 1) A Record Setting Christie’s […]


Reviving Pasaquan: Freshly Restored, an Otherworldly Retreat in the Southern Backwoods

Saint EOM was a self-proclaimed psychic who told fortunes for a living. But when it came to the future of Pasaquan, his flamboyantly sculpted, rainbow-hued compound in rural Georgia, his predictions depended on his mood. On some occasions he confidently declared the place would one day become a spiritual center, attracting followers of the new […]

Hiroyuki doi _untitled_2007-edit

The Inscape in Escape Routes: Five Works by Hiroyuki Doi

Hiroyuki Doi’s work is an exercise in meditation as much as it is a topography exorcising grief. Each work is an exaltation of depth: meditative and obsessive while occupying a manic space that swells toward a calm. The five Doi works in the group exhibition, “Escape Routes,” currently on view at the John Michael Kohler […]


An Exploration of Outsider Art at Prison Folk with Intuit Center

Time. This word was by far the most intently discussed, illuminated, and expanded upon throughout Prison Folk a panel discussion accompanying “Post Black Folk Art in America: 1930-1980-2016,” the current exhibition (through January 8, 2017) at Chicago’s Intuit: The Center for Intuitive and Outsider Art, curated by artist and former director of the South Side […]

Slotin Folk Art Auction

Art, History, and Artifact at The Slotin Folk Art Auction

November 12-13 marks the second installment of the bi-annual Slotin Folk Art Auction hosted in Buford, GA. For 23 years The Slotin festivals and auctions have been keystone avenues for bringing awareness of outsider art to the public. The annual Slotin Folk Fest that’s been held since the fair’s inception was discontinued this year due […]


A Human Experience: Outsider Art Fair Paris 2016

Why do we create? The answers are as varied as humans themselves. An active police officer journaling his cases. A recluse documenting his hallucinogenic visions. A blind man building magnificent sculptures in his backyard to scare away the birds from his plants. At the Outsider Art Fair in Paris, the common unifier is, undeniably, an […]


Equality and Materiality: Katherine Jentleson’s Vision for The High’s Folk and Self-Taught Art Collection

Since 1994 the High has developed one of the most established collections of folk and self-taught art in the country. In January of 2015, Katherine Jentleson was appointed to the position of Merrie and Dan Boone Curator of Folk and Self-Taught Art at the High Museum of Art in Atlanta, GA. Jentleson’s interest in self- […]